Available Exhibition
Available Exhibition
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Journeys of Innovation
Printmaking from Atelier 17 to Tamarind and Beyond
In commemoration of Atelier 17’s forthcoming 100th anniversary and America’s 250th semiquincentennial, Journeys of Innovation: Printmaking from Atelier 17 to Tamarind and Beyond celebrates the impetus and ingenuity of the graphic arts, to which American and European printmakers contributed in vital, transformational ways. America played an especially important part in these activities by providing a place where artists from across the world and different backgrounds have had the opportunity to learn, work, develop new ideas, and express themselves freely.
Figure 1 Stanley William Hayter (British, 1901–1988), Jeux d’Eau (Water Games), 1953, engraving and soft-ground etching with rolled color through stencil on Lauriat paper, 14 ½ x 12 ½ in. © 2026 Artists Rights Society (ARS), New York / ADAGP, Paris
Figure 2 Stanley William Hayter (British, 1901–1988), Nostradam (Third Person), 1938, printed 1973, engraving and scorper on Barcham Green paper, 15 ¾ x 11 ½ in. © 2026 Artists Rights Society (ARS), New York / ADAGP, Paris
Figure 3 June Wayne (American, 1918–2011), Fragment of The Spectator, 1960, color lithograph on BFK Rives paper, 19 x 15 ¼ in. © 2026 The June Wayne Collection / Licensed by VAGA at Artists Rights Society (ARS), NY
Figure 4 Grace Hartigan (American, 1922–2008), Marie Antoinette, 2004, color lithograph on BFK Rives wove paper 22 x 15 in. © The Grace Hartigan Estate
Contents: 112 objects including framed prints, periodicals and an art book, 250–350 running feet.
Interpretive materials: Text panels, comprehensive wall labels, and gallery guide are provided.
Tour duration: Fall 2026–Fall 2031
Booking period: Minimum 12 weeks per venue
Shipping: Borrower is responsible for making arrangements.
Planned Exhibition
Planned Exhibition
Crossroads of Exchange
Indian Paintings from the Mughals to the Company School
Crossroads of Exchange: Indian Paintings from the Mughals to the Company School explores how artists working across the Indian subcontinent developed varied and prolific forms of painting from the fifteenth to twentieth centuries. Focusing on artistic and cultural exchanges among India’s many ethnic groups and the British, this exhibition illuminates how painters created unique, vibrant historical and religious subjects, aristocratic portraits, depictions of myths and legends, and scenes of daily life. In more than 100 paintings, drawings, and prints, Crossroads of Exchange examines major developments in Indian painting from the Jain, Mughal, Deccani, Rajasthani, Bengali, and Pahari traditions, as well as the Company School and other colonial-period trends. The tour schedule for Crossroads of Exchange is limited to two years in order to preserve the fragile, light-sensitive works of art.
Figure 1 Attributed to Sahibdin (Indian, active c. 1628–1655, Udaipur, Rajasthan), Radha and Krishna, mid-17th century, opaque watercolor and gold on paper, 16 x 13 ½ in.
Figure 2 Unknown, Indian (Murshidabad, Bengal), Nawab Alivardi Khan with Siraj ud–Daula and Family Members, 18th century, opaque watercolor on paper, 17 ¼ x 14 in.
Figure 3 Unknown, Indian (Company School, likely Calcutta), Michelia champaca (Chumpah Plant), c. 1777–85, watercolor and ink on paper, 21 ½ x 22 ½ in.
Figure 4 Mary Ann Ricketts Buckland (British, 1827–1908), Chittagong (Mughal Tomb at Chittagong), c. 1840s, watercolor on paper, 8 ½ x 7 ¼ in.
Figure 5 Unknown, Northern Indian (Colonial Period), Portrait of Fateh Singh of Mewar, Maharana of Udaipur, c. 1900, opaque pigments heightened with gold on paper, mounted and glazed, 17 ½ x 13 ¼ in.
Contents: Approx. 100 framed paintings, drawings and prints, 170–270 running feet.
Interpretive materials: Text panels, comprehensive wall labels, and publication are provided.
Tour duration: Spring 2027–Fall 2029
Booking period: Minimum 16 weeks per venue
Shipping: Borrower is responsible for making arrangements.
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